Tom Goulter - Well-Fed Actor, Christchurch
Monday, May 10, 2004
As part of the play I'm in this week, it's been my task to seek out old newspapers from the time and place - Australia, 1960 - the play is set. Unable to find actual, real Australian newspapers, I've had to settle for copies of The Weekly News, a Christchurch-based paper. One piece caught my eye:
FIRE AND RATS EAT HISTORYOn the one hand, the sentiment behind the Waitangi/Magna Carta comparison has a gravity and earnestness sorely missed in today's debates. On the other hand, the "eaten by rats" part kind of offsets the whole thing just a smidge.
...Waitangi
Our greatest historical document of all, the Treaty of Waitangi, was lost for many years and found at last in some obscure drawer, well on its way to being destroyed by rats. We were more fortunate than we deserve. For although rats throughly enjoy a meal of parchment, it seems that they possiby do not like ink and only the edges, not the actual writing, had been nibbled away. And so, at least so far, we still do have the New Zealand Magna Carta.
- Celia Manson
It's also fascinating comparing the house styles of this old tabloid-size publication and modern papers, particularly as the Weekly News, on the whole, is a far more professional and well-put-together piece than Chch's daily paper. (Their cartoons, for instance, may be the sort of cryptic-crossword "satire" - "satire", in this case, being as defined by Dave Barry as "not funny" - lampooned in vintage Onion issues, but at least they're not the kind of vile shit that I have to force myself to ignore on a daily basis).
Seguing nicely from the above, the New Yorker has a fairly comprehensive (by which we mean, fairly graphic and unpleasant) rundown on the Abu Ghraib abuses, while Whiskey Bar has managed to dig up a firsthand diary from Joe Ryan, an interrogator versed in interviewing, golfing and euphemism.
There is nothing wrong with being an occupying force; that is what we were in Germany and Japan....Foreshadowing - ain't it grand?
Pay attention over the next few days. There will be some changes over here and we may be showing our "big stick."
And, in the interest of a fair and impartial cross-section of reportage:
After the prisoner began throwing rocks at the so-far unidentified soldier at a detention center last September, the GI defended himself by shooting his attacker, according to the New York Post.- Fuckin' commie pinko faggot nazi political correctness.
Still, in fit of political correctness [sic] that has hobbled the U.S. military almost from the outset of the Iraq war, the soldier was put on trial and convicted of using excessive force.
Max Johns - Commuter, Ashburton/Christchurch/Dunedin
If this is three or more hours old when you read it, NZ will have a new Idol. Good for us. He’ll either be Ben or Michael, and he’ll have been voted for by thousands and thousands of "people", by which I mean "kids wasting cell phone credit they didn't even pay for". The Edge will start playing his version of the new single "Can't Take That Away", and it will probably go to number one for a couple of weeks. There'll be an album, complete with in-store signings at a Sounds near you. Then, suddenly, nothing else will happen. Like TrueBliss, he'll fade into the recesses of our fair nation's CD collections, and soon find his way into the dusty racks of Cash Converters with a permanent $5 sticker slapped on his cover.
Pop music in New Zealand will return to its old ways: the shelf space briefly dedicated to Ben/Michael (delete whichever doesn’t apply) will give way to imported crap, the NZ Idol TV timeslot will go to American Idol (because, you know, we need another one of them), and only a quota will keep anything local on our airwaves. The NZ Idol experiment will pass out quietly in the corner and leave nothing in its wake, except a bunch of smug music geeks quietly congratulating themselves on having predicted the whole collapse. I'll be there, but I won't be the only one filing away yet another historical example of shit music failing, proving once again that "real music" is better than, y'know, fake music. Then we'll start arguing about what real music is. And agreeing that it's great that we've still got genuine NZ music like Gramsci and Phoenix Foundation happening without a bunch of primetime hype. And arguing about whether we should take hiphop seriously, who's better out of The White Stripes and The Velvet Underground, etc., etc.
But something won't quite feel right. While my groupie-wannabe mates and I discuss obscurities only reviewed in the student media ('by ourselves', we won’t admit), we'll be willingly ignoring the basic truth that kids are idiots who like crap music. And, more importantly, they pay for it and they make it big business. It's true that there will be thousands of little punks out there that'll know every word to "Can’t Take That Away" and won't have a clue who Chris Knox is or what Flying Nun ever did for them - but just because it's true, it's not important. To assume that the presence of Ben/Michael takes attention away from decent kiwi tunes is somewhat ill-founded. If Ben/Michael wasn't being high-rotated on ZM, it’d be some fat black American with a shiny necklace, a big number on his singlet, and a hot chick singing the choruses.
It's not a bad idea to have grossly over-manufactured, cynically produced and entirely disposable NZ pop stars for the very simple reason that the other option is grossly over-manufactured, cynically produced and entirely disposable US pop stars. So while we’ve got a local equivalent out there, we might as well support him. Enjoy the little idiots shelling out for "Can’t Take That Away". At least a little more cash will stay in Aotearoa. Don't hold any grudges against Mr. Moment when he's performing in a shopping mall near you, instead rejoice in the fact that if he was to sing "Can’t Take That Away" in his real accent, he'd be censored from the first word. Look at the joy on the faces of the sheepy children's faces as they look up to someone from their own country for a change. Face it – pop music is fucking terrible, but it's here at least until compulsory military service from the age of 10 to 17 is introduced. So we might as well have fucking terrible kiwi pop music infecting our youth. And when it dries up some time in mid-July, watch the flocks turn stateside again, and remember how much better the days of the NZ Idol really were. Then email me with your opinion of which Pink Floyd album is the best, and what Greg Johnson has to do to crack the US market.
Postscript: I would pretty much be asking for death if I wrote an NZ Idol post and didn't let you all know about this here song, by an Auckland home recorder calling himself PDMJ. Don't be scared, it's actually good.
Patrick Crewdson - student, Auckland
Wednesday, May 05, 2004
WELLINGTON - A defiant Helen Clark startled political observers Monday by calling hikoi protestors "hataz and wreckaz" and "bitch-ass niggaz".
"Playa hataz just frontin'," the Prime Minister told a press conference, before asking, "Can I get a 'hell yeah'?"
When her requests for a 'hell yeah' and her exhortations for the assembled journalists to throw their hands in the air failed, Clark went on to say she would refuse to meet marchers when they reached Parliament.
"They better chiggidy-check themselves before they wriggedy-wreck themselves."
Adding that meeting with protestors would cause "a great deal more distress to most people who want to see the issue moved on", Clark said, "The Prime Minister ain't about that."
Asked if he intended to "wreck the mic" upon arrival at Parliament, protest organiser Hone Harawira said Clark's comments were deliberately provocative.
Harawira also denied suggestions hikoi marchers were just hating on Clark because she is "top dogg".
On a more serious note, here's a prediction: Tariana Turia's sacking and resignation (despite reports, it wasn't an either/or situation) will re-ignite the 'debate' on scrapping the Maori parliamentary seats. (I write 'debate' rather than the standard, non-quote marked debate, because the discourse on the topic has previously been more like the swiftly automatic rejection of a suggestion than an actual discussion.)
So far, Turia's departure has mostly been discussed in the context of whether Labour will be able to hold Te Tai Hauauru and how the formation of a new Maori party will affect the Government's grip on power. For Labour, it's a 'rock and a hard place' deal: the rock being the 10,000+ hikoi marchers (photos here) and the people they represent, and the hard place being National's Orewa-driven rise in popularity. On one hand, you've got aggrieved Maori, on the other you have people who think Maori are getting too good a deal. In that climate, if Turia had resigned from a general electorate seat, her chances of returning would have been nowhere near as good as they are now. Obviously, the Government is already sweating, but if they manage to keep the confidence of the house (a notion National has struggled with) through the Budget, then surely National will use Turia's departure to highlight Brash's Orewa claim that the Maori seats are an anachronism, out of step with the times and with the feelings of ordinary voters.
Side note: Half a year before the last election, Winston Peters suggested indolence had "become the norm" in the Maori seats.
There's an amusing game I've seen played with NZ First and United Future whereby people have to name as many of their MPs as possible. The point being, of course, that people stuggle to name any of United Future's eight and NZ First's 13 except for Peter Dunne and Winston Peters. At first I thought a similar game might work for the seven Maori electorates, but it turns out that a majority of those MPs have a real profile, which probably means they're not indolent any more. For the record, the full list is Dover Samuels, Parekura Horomia, Mahara Okera, Nanaia Mahuta, John Tamihere, Mita Rurinui and, of course, Tariana Turia. (Here's a real challenge though: name the Maori electorates. Nah, forget it. Too hard.)
Lyndon Hood - Interviewee, Lower Hutt
Matt Nippert - apprentice hack, Auckland
Sunday, May 02, 2004
Something strange happened to Lyndon and I on the way to review a movie. It was a bright afternoon, and the Sunday drive down Great North Road was brought to a halt by four tonnes of African herbivore. Dumbo, Auckland zoo's sole elephant, had torn down a tree and used the fallen timber to bridge a moat and cross an electric fence. Dumbo was free, running on the road, and eyeballing my Morris Minor like the autmobile was in heat.
As it turns out, we eventually made the film (although the usher didn't seem impressed with my excuse for lateness), and my encounter with Dumbo makes for an excellent intro. Shattered Glass tells the story of Stephen Glass, a writing prodigy in the US magazine industry. Glass had a flair for words, and a knack for finding colourful stories. He'd probably have liked the story of Dumbo, maybe have written something himself along the same lines. And, like me with this piece, he'd probably have fabricated the whole thing.
I don't have a car, I wasn't in Auckland, the elephant isn't named Dumbo (it's Burma) and hasn't escaped since January. Shattered Glass is based on the events of 1998 that saw cracks appear in the work of the uber-writer, and led to the most significant media plagiarism case of the 1990s. The issue has gained added poignancy after the recent affair of Jayson Blair at the New York Times and, to a lesser extent, USA Today's Jack Kelley. (Incidentally Blair was commissioned to review this film for Esquire, before word got out and editors pulled the plug on their "joke".)
Playing in two parts, the first gets into the head of Glass, played by Hayden Christensen. Yes, he is best-known as a young Darth Vader, but this role proves he won't need an encassing suit and James Earl Jones voiceovers once he grows up and escapes the Star Wars franchise. His portrayal of Glass nails self-pity, unchecked ambition and deep insecurity all at the same time. You want to believe him, and you can see why his colleagues backed him for so long in the officer cold war politics that built with suspicions over his work.
The second half sees the film change gear into thriller, as rival journalists sense there's something fishy, and begin digging into details. "There is one detail that checks out," says Adam Penenberg (Steve Zahn) who looks into a Glass story after his editor berates him for missing a scoop, "there actually is a State in the Union called Nevada." Unpopular editor Chuck Lane (played to understated perfection by Peter Sarsgaard) tries to cover his writer, but eventually has to move against the office favourite.
From journalists as warriors for the public-good in All the President's Men, to journalist as cynical fraudster in Shattered Glass. It only took one generation - and two very good films.
Patrick Crewdson - student, Auckland
Wednesday, April 28, 2004
On Monday we had Gavin Ellis, editor of the Herald, in to talk to us. He started with Socrates' allegory of the cave, making the point, I think, that you can't get the Herald delivered to your cave unless you have a proper mailbox. Or maybe he was talking about most people seeing the world reflected in the media, like Socrates' cave-dwellers saw it as shadows on a wall. I forget. More memorably, he went on to talk about laudable ideas like not emphasising ethnicity in a story unless it is strictly relevant and being prepared to back up every assertion or statement in your article with evidence or reasoning (which sounds obvious, but try going through an article sentence by sentence), and then to touch on well-worn but still worthy topics such as the pursuit of objective truth. I don't mean to sound condescending, but it was nice to see that he thought cogently about principles, even if his paper often fails to live up to them.
In sharp contrast to Gavin was our previous guest, Clive Nelson of the Sunday News (who has the amusing traits of being English and named Clive. Y'know: it's like being an Australian called Bruce). He was speaking to us as part of a different class and on a different topic (the effect of layout on shifting units, as opposed to the elements of news reporting), but even so, his strictly pragmatic attitude towards his paper couldn't have been further from Ellis' highfalutin ideals. 93% of Sunday News sales come from casual buyers, Clive said. That makes the paper highly unusual in a marketplace dominated by subscriber-supported publications. What sort of thing appeals to the younger, browner, poorer Sunday News readership? What front page will convince them to make that casual purchase at the Pak'n'Save checkout? Something featuring "local celebrities in the shit", apparently. Or in lieu of that: NZ Idol and rugby league.
Clive was honest and open about the Sunday News, and to the suprise of some in the class, was not in the least bit ashamed of it. Among serious journalism students - some of whom, if they don't go into PR, will end up working at the Sunday News - Clive's paper has a reputation not much better than that of the NZ Truth. His attitude was refreshingly direct. Which isn't to say that Gavin Ellis wasn't direct; as I said, Gavin and Clive were invited to speak on different topics, so it's no surprise that they emphasised completely different parts of the business. If Gavin had been asked to talk about attracting subscribers he may well have taken a much more practical tone, and I suspect the very entertaining Clive may not have fared as well if asked to discuss abstract principles of reportage or the role of the fourth estate in relation to NZ Idol and the Warriors. Even so, it was fascinating how closely the two men mirrored the personalities of their newspapers. Gavin was much more solemn and dignified than Clive, who in turn was much more prepared to acknowledge the grubbier side of the industry.
And on an unrelated note:
Pet hate update: A little while ago I patted myself on the back for not confusing Armageddon with the end of the world in my feature on this year's pulp culture expo. TVNZ, I smugly said, had demonstrated themselves to be not as clever as me. This week I was further dismayed to read Alistair Bone's Listener piece, 'Geek Gods', which concluded with this line about the Salvation Army band:
This very band will play when Armageddon (the real one, with the four guys on horses), arrives like night.They would be the four horsemen of the Armageddon then, would they? Any relation to War, Famine, Pestilence and Death, the four horsemen of the apocalypse?
Update: This from Max:
Since I'm a philosophy grad who did a dissertation on Sacrates, I feel obligedWell if you're sogreats, how come you spell Socrates Sacrates? Sorry, that was lame. I was under the impression that because Socrates didn't leave any writings, we only know his thoughts through the reportage of Plato. Isn't there some confusion about which thoughts are Plato's and which belonged to Socrates but were written down by Plato?
to point out that, no matter what the editor of the NZ Herald says, Socrates
didn't come up with the shadows-in-the-cave analogy. It never really impacted
upon the moral and linguistic philosophy he spent his years annoying people
with. It was Plato's deal. Plato who used a character called Socrates to do all
the philosophising in his writings, but Plato nonetheless.
Update update: I am reliably informed that I am wrong on several counts. There is consensus on which thoughts belonged to Plato, and the caves are firmly his. And apparently, we also know about Socrates from Xenophon.
Lyndon Hood - differently waged, Lower Hutt
Tuesday, April 27, 2004
Machiavelli enjoys a reputation as an advocate of unscrupulous cunning which has been enshrined by the award of his own adjective, machiavellian. He's also a good paternity candidate for modern political philosophy. The latter description does him more justice, but it probably doesn't take much thought to realise that the two are not entirely unrelated.
Because Machiavelli, unlike certain predecessors who he does not name, took as his subject of discussion the way things are and what works, rather than the way things should be and what is morally right. If you listen closely you can still hear the echo of those fourteenth-century eyebrows rising.
Most people quote from The Prince, which contains most of the famous bits and is about being a monarch. I smugly prefer The Discourses, which covers republics, monarchies and tyrannies. Actually I only have an abridged version of both in one volume, but The Discourses is easier to navigate through because of the more informative chapter headings (for example, from book three: "Chapter XVII. A man should not be offended and then assigned to an important governmental post","Chapter XXVI. How a state is ruined because of women","Chapter XXXVI. The reasons why the French have been, and still are, considered braver than men at the outset of a battle and less than women afterwards").
Selective reading of the facts and the author can of course get you any conclusion you want. The Nazis had an enduring success demonstrating this with Nietzsche. More recently, one site that enlisted Machiavelli's support for the invasion of Iraq had previously concluded the Immanuel Kant would have considered Howard Dean "imprudent".
As to why we care, I'm not sure. It is of course nice to have someone famous for being clever agree with you. But Machiavelli's advice wasn't perfect even for the tortuously conspiracy- and war-ridden climate of the Italian city-states. And I don't think he has much to add to a discussion of the Iraq occupation that hasn't already been said. A quick skim of Machiavelli reveals that there were some things people knew even in the 1500s (I quote from the first book of The Discourses):
Chapter XVI. A people accustomed to living under a Prince maintains its freedom with difficulty if, by chance, it becomes free...Chapter XVII. A corrupt people which acquires its freedom can maintain its freedom only with the greatest of difficulty...Chapter XVIII. How a free government can be maintained in corrupt cities if it exists there already; or, how to establish it there if it does not already existI also include this admonishment from book two:... But because these institutions when they are suddenly discovered no longer to be good have to be changed either completely, or little by little as each (defect) is known, I say that both of these two courses are almost impossible...
As to changing these institutions all at once when everyone recognizes they are not good, I say that the defect which is easily recognized is difficult to correct, for to do this it is not enough to use ordinary means, as ordinary means are bad, but it is necessary to come to the extraordinary, such as violence and arms, and before anything else to become Prince of that City, and to be able to dispose of it as he pleases. And as the re-organization of the political life of a City presupposes a good man, and the becoming of a Prince of a Republic by violence presupposes a bad man; for because of this it will be found that it rarely happens that a (good) men wants to become Prince through bad means, even though his objectives be good; or that a bad one, having become Prince, wants to work for good and that it should enter his mind to use for good that authority which he had acquired by evil means. From all the things written above, arises the difficulty or impossibility of maintaining a Republic in a City that has become corrupted, or to establish it there anew.
Chapter XXXI. How dangerous it is to believe exilesThe most famous Machiavelli quote is more of a traditional mistranslation: "the ends justify the means". What he was getting at (in chapter XVII of The Prince) was that sometimes a leader, though generally good in the traditional sense, must do bad things to maintain the state; and that, as long as the leader appears to be virtuous in all things, any actions will be judged by the populus on whether or not they succeed.
I know a president who's fast beginning to look far worse than machiavellian.
Update:I've just recieved an email from a "supporter of the misled and coerced" pointing out a very different Machiavelli reference.
I also remembered I'd missed out a bit from The Discourses (From book one again. Can you tell I haven't read the whole thing?):
Chapter XXXIII. WHEN A PROBLEM HAS ARISEN EITHER WITHIN A STATE OR OUTSIDE IT, IT IS SAFER TO DELAY DEALING WITH IT THAN TO ATTACK IT
... because those who try to do away with it almost always increase its strength and accelerate the harm which they feared might come from it.
Tom Goulter - Disaffected Youth, Christchurch
Sunday, April 25, 2004
In what has to be the most daring piece of journalistic burrowing since Woodward and Bernstein, TV3 on Saturday delivered a hard-hitting, objective piece on American and British reactions to the 48 Hours item featuring new pictures of Princess Diana taken moments after the car crash. 48 Hours, of course, being the current-events arm of CBS News, who - that's right, it's time for a punchline! - produced the report 3 News aired.
Consequently, viewers were treated to justification after justification of CBS' actions, with neat little sidelines in ragging on the British tabloid press (which, really, is just shooting fish in the proverbial barrel) and pointing out the inquisitive nature of Britons who, apparently, will be gagging to read all about the whole affair once the fuss has abated.
Which, to concede CBS a valid point (if nothing else so they'll keep sending me Letterman), they most likely will.
While the debate raises many obvious questions about journalistic integrity and standards, not many conclusions of note were reached due to Americans being suddenly and somewhat violently distracted by an unauthorised-picture scandal of their own. While, by all accounts, the circumstances surrounding the controversial photograph were entirely above-board, and the photo taken in a spirit of respect and honesty, the same questions are being asked as in the Diana case. Are the families being respected? Is this journalism or sensationalism? Is the emphasis here on the human tragedy of the event in question, or the political ramifications?
The link above being to lefty-pinko-commie rag The New York Times, readers may have started formulating predictions as to where this post will go with these questions. And, yes, it is difficult to imagine the Bush administration not politicising the whole affair (of course, politics is an integral part of the whole debate; but there's asking, "Are we being disrespectful to the families of soldiers killed in combat?" and meaning it, and then there's The White House's version of the above).
The difference in the two cases, of course, is that while the Al-Fayeds may continue to attempt to prove a conspiracy in the Diana case, graphic images of the immediate event really serve no purpose so much as to satisfy morbid curiosity regarding international icons. It can't be easy taking the ethical high road knowing full well that as long as the images are out there, someone will publish them sooner or later, but as they used to say round my old high school, "the easy path is the easy path to hell". (Yes, it was a Catholic school, what tipped you off?).
The coffin photos, meanwhile, may well be painful for many (and they have my sympathies, for what that's worth), but as media coverage attests, many more families and loved ones of troops killed in Iraq want the images made public - for the same reasons anyone else in favor of publishing them would argue. Because we can't look back in five years' time and remember the war only as seen by the Embeds: wherever it is that the US (and the world) has got itself, only honest reporting, discussion and reflection on the situation will yield a positive outcome.
Max Johns - South Island flour market researcher, No fixed abode
Saturday, April 24, 2004
I hate admitting it, but we owe Winston one. Now that “public domain” has been dropped from our shiny new foreshore and seabed legislation, he can take a bow. For those who’ve had their heads buried in the (somewhat contentious) sand over recent months, “public domain” was due to replace the Crown ownership that Labour wanted to ensure at our nation’s edges. It was designed to grant all New Zealanders access to beaches, but the difference between this and Crown ownership is minimal. The benefit of “public domain” was that this less colonial-sounding phrase would hopefully placate opposition to the policy. But it was either (a) a pseudonym for Crown ownership, or (b) entirely meaningless. And legislation, believe it or not, is never meaningless. This was a political dodge developed to put Turiana and co. off the scent – Look! It’s something so fantastic it’s got a new name! Remember when they replaced Mt. Cook with Aoraki, but it was the same mountain all along?
So the Government got its Crown ownership wish, with the added benefit of having Winston to blame. What we need now is for another semantic bun-fight to be settled, but this isn’t one NZ First is likely to jump at. What’s the difference between marriage and civil union? It seems that 2004 is the year we all suddenly realise that gay people form lasting bonds between one another. Welcome, finally, to a new dawn. Now what?
Marriage, of course, originated as a religious ceremony way back before anyone, even the Pope, can remember. These days, after the ceremony, the two parties swap signatures and suddenly what’s his is hers, the hierarchy of next-of-kins gets a quick shuffle, and so on and so forth. But all anyone really cares about by then is the cake. In fact, if you live together for too long, you miss out on cake and go directly to shared property. And you thought it was only drunk pop stars with fading celebrity that married by accident. If God’s not your cup of tea, of course, you can skip the bells and priest and just sign up for the rights and responsibilities. Thanks for dropping by the office, once the ink’s dry you may kiss the owner of half your stuff. What’s optional is marrying in the eyes of the Lord - it’s the eyes of the state that you have to be seen by.
Marriage, as far as the state goes, is little more than the signing of a contract and re-jigging of a few rights and responsibilities. The word may have other connotations, but they have nothing to do with law, and result from its religious origins. Now, it’s entirely fine when churches decide who is and is not allowed to be a part of their club. I never liked it when Mum told me to play with people that I didn’t like, either. But what isn’t fine is Government denying people rights that others can access at will – or have thrust upon them after a few years’ cohabitation – unless you’ve got a good reason. There’s no traction in the “real marriages beget children” argument, nor in some sort of flighty “sanctity of marriage” complaint. And “eww, you kiss other boys” doesn’t quite cut it either. So it’s pretty tough to sensibly deny gay people these rights. Recognising that, someone came up with the idea of civil unions, a sort of marriage-lite whereby the legal side of things gets cleared up and you’re allowed to act all married and stuff, just so long as you don’t go around telling anyone that you’re married. Hey presto #1: Gays still can’t marry – the sadly large stupid bigot proportion of the population is happy. Hey presto #2: We’ve all got the same rights, no-one can complain about discrimination, so the gay population should also be happy, right? Newsflash: this is as stupid as trying to replace Crown ownership with public domain. Allowing people to act as if they’re married and giving them the rights of a married couple makes them the equivalent of a married couple, no matter what words you use. Marriages and civil unions are, effectively, one and same. Just like the foreshore and seabed mess, the only benefit in using the new phrase is political.
So right now gay couples can gather crowds of friends, make promises to each other, swap jewellery, do whatever they want except sign up for marriage. Civil unions are a proposed fix, designed to not offend anyone overly religious, old, or stupid. This is a democracy after all, and religious, old and stupid votes are plentiful and predictable. But civil unions would be a guarantee of all the stuff marriage would guarantee, minus a contentious word. Just like “public domain” takes the “Crown” out of “Crown ownership”, this takes the “marriage” out of “gay marriage”. Pretending there’s a material difference is pointless. It’s time for someone to seize the legislation and get the simple words into it, regardless of PC bollocks. But with the old, stupid vote to be lost, this probably isn’t one for Winston.
Matt Nippert - PhD (spin), Wellington
Tuesday, April 20, 2004
Been reading. One of the perks of being in the media is browning noses with publishers, and I've been fortunate enough to land a hard-to-find copy by a book by one old (92 years old and counting) geezer; Studs Terkel. If his name alone ain't cool enough for you, this intro and interview in The Onion AV Club might persuade you to look him up sometime:
Chicago fixture Louis "Studs" Terkel has worked as an activist, a civil servant, a labor organizer, an ad writer, a television actor, and a radio DJ, among many other occupations. But since the 1960s, he's been particularly well-known as a world-class interviewer, a writer and radio personality who draws celebrities and, far more often, average citizens into sharing their oral histories and revealing the complex commonalities and differences that define human existence.A superb oral historian, his books from Working (which I made first year management students read to understand what work is really like), to Hard Times (stories from those who survived, suffered and even prospered in the Great Depression) and the Pulitzer-winning The Good War (the Second World War told by actual participants), describe wide social trends and movements through the experiences of those who lived through them.
But, as always, the joy is in the detail, the little stories that help flesh out wider themes seem to be worth a book to themselves. It's probably a reason why his interviewee monologues are often used by actors as audition pieces. Will the Circle be Unbroken, the title I'm presently devouring, tackles the subject of death and dying (suggested to Terkel by Gore Vidal). He talks to hospice workers, AIDs and cancer sufferers, ministers and cops. This, a gem from Tom Gates, a retired New York firefighter, formerly a policeman:
I hate guns. I wasn't a good cop because I used to walk around with no bullets in the chamber. I used to have them in my pocket and kid around saying if somebody starts in, I'll just throw the bullets real hard. [Laughs]Speaking of fire, I was reminded when talking to Greg Proops for the Listener (interview is off-line, sorry), that it often accompanies smoke. Before this segue, truly scraped from the bottom of the barrel, puts you off I'll throw in some lines from the headliner of the Comedy Festival that didn't make it into print. This, on California's anti-smoking laws:
A few times I pulled my gun on guys. One time I went on the roof of this project and there's this big black guy, about six-seven, on top of the stairs. He had his back to me. I said, "Hey, fella, turn around." He said, "Yeah, wait a minute, man." I said, "Turn around and put your hands against the wall." He said, "Yeah, yeah, wait a minute."
It dawned on me he had a gun caught in his belt and was tryin' to take it out. I said, "Holy shit..." So I took my gun out and said, "You fucker, I'm gonna shoot." He threw his hands up against the wall.
He had his dick out and was tryin' to zip up his fly, and there was a girl standing in the corner, which I couldn't see. So here was a guy gettin' a hand job and maybe a lot of guys would have killed him.
I said, "Holy shit, I coulda killed ya." He started shaking, and the gun in my hand was shaking like a bastard. I said - I musta been cryin' - I said, "Just get the hell outta here..."
That's when I decided to quit the force and become a fireman.
You can't smoke in a bar in Los Angeles, which is fairly ironic, considering how difficult it is to breathe outside the bar in Los Angeles. You don't want the door of a bar to fling open and let all that bad air go outside. It's a gradual noxification of our civil rights. I understand that it's bad in certain places - like a cancer ward. In a bar it seems to me you've got a lot on your plate. You're getting drunk on poison, and trying to have sex with someone you don't know. It's probably not the chiefest of your health concerns.And this, on the 9-11 commission :
This has been a PR disaster for the Bush Administration. I find it humorous their whole presidency is based on how great their response has been to an event they may have been able to prevent. It's like saying, "Remember when I drove the care into the lake? I was the first person to say we should pull the car out of the lake, right afterwards!" It's not winning me over.And for my next post: behind the scenes of investigative journalism, how you too can negotiate your way through and to interesting statistics. Such as: did you know 44% of all prisoners are Maori, while they constitute only 15% of the population? It makes you think.
UPDATE: The Onion has a decent interview with Rickey Gervais of The Office. And the Herald site finally put up my prison story.
Tom Goulter - Gadabout, Christchurch
Monday, April 19, 2004
I know a guy who collects old video games. Every time I see him, he proclaims loudly the latest archaic 1980's goody he's picked up, or if he hasn't found any, he reiterates how his collection of NES games now stretches around his mantelpiece. And he has some good fuckin' games, man. He's got Digger T-Rock. He's got fuckin' Excitebike. Thanks to my diligent digging styles, he's even got his very own Super Nintendo, which, in addition to (infamously) being the basis for something Sony made a minor impact with a whiles back, is unquestionably the Best Games Machine Ever.
But I digress. This fella, he loves him some old-school gaming, and good on 'im. He also, he's proud of proclaiming, culturejams as a hobby.
My boy's seen Culturejam. He's a radio student, where he's getting well schooled in the politics of the media.
So when people bemoan the current stagnant state of New Zealand media, I say to them, I sit them down and I say, "Listen. It's not all Paul Holmes and it's not all Mikey Havoc. There's a new generation out there, a bunch of hungry kids who're growing up fast, and won't be happy with Mike King Tonight and cheap crap produced by Touchdown for much longer. These kids, they're too media-aware to make the same mistakes as we're seeing made now. This new generation," -- sometimes I'll put my fist to my heart and stare achingly at a spot just above the horizon as I say this bit -- "they're gonna make a difference".
And I'm talking about my buddy when I say this. This guy who says he culturejams for fun, and what he means by this is he likes to sit in his room and change the logos so they say "Bugger King" and "The Whorehouse", while his main jazz is in paying good money to further someone else's brand far past its theoretical sell-by date. (Of course, if you're going to fork over your mindshare to anyone, Nintendo is a fine choice).
And ay, as some white guy said one time in some play about identity dysfunction among privileged white folks (with a nice sideline in Whitey's mad skillz in narrative-hijacking), there's the rub.
Because the whole image-colonisation, guerilla warfare, battle for the mind, memetic warfare thing, what good does it do either side if you keep it in your head?
Hell, forget my buddy. He's small potatoes. He's shooting at targets in his back yard and he'll probably never see real action, but at least he doesn't pay >$20 for a copy of Adbusters, right? At least he (as far as I'm aware) has not paid for the DVD, the poster, the t-shirt reminding everyone that he is not his fucking khakis. (Though it is a very nice digipak you get it in).
You can't, in this town, read your Chomsky or your Klein or even your Moore or Franken on the bus without being approached by people trying to get you to join their hare-brain revolutionary scams, which is usually just a segue into mundane talk about the weather, talk about the Government. Everyone has those fucking Hallenshirts with witty variations on popular corporate logos: "Enjoy Crack"; "Motherfucker - Every Time A Good Time"; "Fuck Motors". (Let's not start with the Che thing).
You blinked, and a nice idea - take back our voices and our eyes and ears and minds - became another ice-breaker at parties. (About the best thing you can say of "culturejamming" as the average citizen experiences it is that every "jammed" shirt on the street is one less You're Been A Very Bad Girl - Go To My Room or You're On My List Of Things To Do Tonight - hell, I guess jamming is blocking out at least one avenue of unwanted noise). And meanwhile, serious organs of media criticism had started getting really barbed (oh, the humanity!) in their characterisation of their opponents.
Yes, yes, it's just another truism - The Man Steals A Brother's Ideas And Runs With Them. It was inevitable, of course, and you don't have to be incredibly clever to spot it - hell, I can point it out, and I have trouble with how one guy can formulate the theory of relativity and do those dope movies with the baby prams running down the steps and shit.
But let's close with a final, much-lamented juxtaposition: The poet laureate of the 1960's protest scene, shilling unmentionables. Wouldn't it be the best Dylan lyric ever, if reality hadn't beaten him to it? I mean seriously. At this rate, it's looking like the revolution will be advertised.
Lyndon Hood - consumer, Lower Hutt
So when I say that I feel some thematic connection between my personal attitude to the Lower Hutt produce market and sweatshops, you might have to bear with me.
I will, I admit, take any opportunity to disparage Lower Hutt in general conversation. Thursday night, for example, is late night shopping (as in, "and not Friday"), and the way it closes on Sunday. It suffers in comparison with Wellington, which is both inevitable (it's just down the harbor) and unfair (they're really just different parts of the same beast).
It's actually quite nice.
And one thing it does have is the Riverside Market, which sets up at the Weekend (in a good chunk of the area which on workdays provides all the parking that Lower Hutt could possibly want) and supplies fruit and veg to the masses. Apples and pears are 99c a kilo at the moment, though there was somebody selling huge bags for two dollars out the back of a ute. It's busy from early in the morning, there's a range of snack food and bric-a-brac available, but the thing that sticks in my mind, apart from "vast amounts of vegetable at wholesale prices", is the cosmopolitan mix of people.
I mean cosmopolitan in the sense of "from all parts of the world", but without the overtones of urban-ness or european-ness, and or course not in the sense of vodka with lime, tripe sec and cranberry juice.
The observation that gave rise to this descriptor was, "Wow. What a lot of brown people."
I should note that I recently moved up from Dunedin. There is a food market in Dunedin. It's called the Farmers' Market, held next to the Edwardian railway station and most notable for supplying locally-produced specialty food — boutique stuff at not unreasonable prices. It's mostly patronised by Dunedin's core population of white folks.
Not so in the Hutt. The crowd, the merchants, the vegetables and the snack food all show a real ethnic mix. Brussel sprouts, puha, taro, daikon, lemongrass and chillis in bulk. Maori breads, Island-style fried stuff and some people with a huge wok steaming pork buns. People drifting past chatting in languages I don't even recognize.
If this is any indication then the Hutt is just close enough to Wellington to attract people and just far enough out that immigrant communities can afford to develop there. The is borne out by the variety of ethic events I've seen since I arrived. In one weekend there was the annual Italian community celebration in Petone and in Lower Hutt the annual but eerily named "Racial Unity Day".
Now, I've never really understood what the beef is with immigration. I hold to the idea that interacting voices and ethnicities are what keeps a culture lively, and the more of those the merrier. My lingering liberal niggle is the sense that I'm only enthusiastic about it all because it means I get to go to all these interesting ethnic restaurants.
And at the market it took me a few visits to stop feeling like an interloper. My wife and I do feel financially restricted, but that's mostly caused by moving to the more expensive (apart from the fruit and veg prices) climes of Wellington. Basically, standing in the market I feel white and rich. But I technically local, it's not as if I'm getting any surly looks and my money really is as good as anyone else's. I'm supporting something I approve of and having an experience I enjoy at the same time as saving money. It is, in fact, a triumph of capitalism.
Although I have to admit that I don't have the faintest idea where all of this produce comes from. It's obvious some of it is imported, but it's unlikely that the ya pears were assembled in unventilated factories with no fire exits by people working for 18 US cents an hour.
It's a huge strain to suggest that the Dunedin market is a bit like buying local and the Hutt market is like having goods made overseas. It's probably just that I've been reading No Logo while under the effects of an infection (someone suggested I had all the skills for branding so I got a bunch of relevant books out of the library).
There's really another, far better-research post in this thought, so I'll just give you the punchline. New Zealand is gearing up to negotiate a free trade agreement with China. The Prime Minister has been said that labour and environmental standards will be raised in negotiations, Trade Negotiations Minister is optimistic that environmental issues will be included in any deal. I'm not against free trade per se, but unless China enforces labour standards in its export processing zones we will be competing with sweatshops. And until it recognizes a number of human rights, as of free speech and assembly, its labour market cannot be described as "free". It seems to be agreed that China wants the deal as an entree to the world trade community. I don't imagine they want it that bad.
Patrick Crewdson - student, Auckland
Sunday, April 18, 2004
At Fighting Talk we're pretty brazen about self-publicity. As a twentysomething with very little gold and no pager, I consider it practically my duty to namedrop myself whenever possible. But when I do so, I'm open about it.
Guess where this is from:
Peter Jackson's Lord of the Rings: "ham-fisted, shallow, bombastic, and laughably overrated," says one critic. "But don't get me wrong" ... moreThe 'one critic' was Denis Dutton, in the Herald, the Press, The Austalian, and the LA Times. The quote above is from Arts & Letters Daily, a website edited by ... Denis Dutton.
Why the anonymity? Even if Dutton didn't write that particular intro (judging by who readers are invited to email links to, it was probably managing editor Tran Huu Dung), why introduce an article by the site's editor as being by 'one critic'? The inference I draw is that A&L Daily would like Dutton's column to have 'must-read' status, and whoever posted the link thought that identifying the author would undermine that by making it look like naked self-publicity. Which it is.
Of course, it's not a major transgression - but it is a little odd. Amusingly enough, another of Dutton's articles - World's Worst Editing Guide - is listed among A&L Daily's 'Classics'.
On an unrelated note, one young journalist seriously underestimated the sheer commerce of this weekend's Armageddon pulp culture expo. Virtually the entire Aotea Centre was for sale. Still, at least I managed to avoid the cliches TVNZ used in their Friday night news coverage. Early on they employed a "not the end of the world" gag, which is a lazy reference and also plainly wrong. I was prepared to forgive that though - it's a common mistake, even if it is the same joke they used last year - but then the reporter concluded with the truly, madly, deeply lamentable pun "Armageddon outta here". As a member of the key demographic, I was aghast.
Which brings me to Serial Killers - did you see it? (If not, you won't have understood, but that last seque turned clevely on the word 'demographic'.) It was genuinely funny. It's great to see old Lionel back on TV (in a show that isn't Spin Doctors), and even the usually wet Dean O'Gorman was put to good use as half of a hilarious conversation about the narrative-enhancing possibilities of a jeep. After one episode, they've got a fan in me.
Matt Nippert - PhD (spin), Wellington
Friday, April 16, 2004
Who is Stephen D Taylor, and why do you have a nagging suspicion you know him? It's because he's a fixture in the letters to the editor pages - in newspapers across the country.
After Russell Brown exposed a particularly nasty letter (resulting in an apology to Tim Barnett from the Herald), I thought a bit of investigation was required. Who is this man? How successful is the Maxim Institute 'Wizard' in propagating views?
He told Otago student newspaper Critic last year that he's "a fundamentalist Christian who has declared a holy war on political correctness." And a cursory search through newstext (that only covers 14 of the 76 publications the Wizard reaches) shows that Maxim's magic works.
Mr Taylor (he seems to have changed his signature from Steve to Stephen D towards the end of 2003) has had 40 of his letters published 68 times in the last 18 months. Don't worry, most of those appearances are in relatively small-circulation outlets. Mr Taylor, of Auckland, has been published in the Timaru Herald 27 times, and 17 in the Waikato Times. Some of these letters have been published in more than one publication - what this means for newspaper editorial policy will be considered later.
Choice examples of Taylorism are displayed below:
With the National Party now polling 45% and rising, "middle New Zealand" is extending a collective middle finger to the politically correct status quo.- Sunday Star-Times and Waikato Times, Feb 2003.
The over-the-top outcry of the insipid politically correct elite over Paul Holmes' comments relating to United Nations Secretary General Kofi Annan is yet another example of zealous left-wing ideological inconsistency...
If we really want to show concern for anyone, then we need to be reminded that charity begins at home. Our wellbeing must not be in the hands of a cowardly multi-national self-interest group such as the United Nations, which is advancing many of the conventions which we seem to be unwittingly adopting through politically-sanctioned "back-door osmosis".- Timaru Herald, October 2003.
When bureaucrats, academics, politicians, and self-serving lobbyists enthusiastically quote "statistics", "research", and "evidence" to back up their latest ideological hobby horse I am often dismayed they don't seem to have the same enthusiasm in making this information available to the public.- Timaru Herald, May 2003.
Geographical and circumstantial evidential factors for both creationism and Christianity are well documented and easily accessible to the enquiring and open minded researcher.- Southland Times, May 2003.
And my personal favourites, incidentally the first and last letters I could find published by Mr Taylor:
True compassion values the life of another; it does not seek to take it. Murder is murder, regardless of any convenient ideology that may attempt to convince us otherwise.- Waikato Times and Timaru Herald, April 2004. (On the conviction of Lesley Martin for attempted murder.)
The farcical situation of a private prosecution against a police officer carrying out his sworn duty, facilitated by the "Judas" that is the New Zealand judiciary system, defies both common sense and belief.- Waikato Times, December 2002. (Concerning the death of Steven Wallace by police gunshot.)
Anecdotally at least, the letters to the editor pages are the most read part of any newspaper. It is supposed to reflect 'word from the street', reaction to issues of the day, and provide all of us a barometer as to what the 'public' is thinking. It's focus-group polling for those of us who can't afford pollsters. What does it mean when these pages, while not monopolised, are increasingly dominated by sophisticated moralising propagandists?
At the least it'll skew peoples opinions about what the rest of us are thinking, at worst it'll lead to politicians shifting policy in response to perceived public attitudes. (Interestingly enough, that other forum for public venting, talkback radio, isn't susceptible to this sort of spamming.)
And the final issue that deserves to be raised: what about newspaper policy on printing spammed letters? The Press (who only printed 1 Taylor missive) requires all letter-writers to "say whether the letter has been or will be submitted elsewhere." The Otago Daily Times (who don't feature in newstext) say "we don't publish letters submitted elsewhere." And the Herald (who to their credit published Mr Taylor for the first time this week) has no published policy, the same as the Dominion Post (who ran 7).
Editors on the letters pages take note: you're being taken for a ride. Taylor has gotten over 13,000 words of moralising rhetoric into newspapers around the country (not counting smaller community newspapers who, if anything, are more likely to print spammed mail), probably at the expense of people expressing genuine, local concerns. Taylor may have a point, but it's an underhand way of spreading it.
I might even feel moved to write a letter myself.
Aside: I've written a piece a piece in the Weekend Review section of tomorrow's Herald. About prisons, and why we're going from seventh to third in the OECD in imprisonment rates by 2010. We'll overtake Mexico and Slovenia, and internationally be sandwiched between Libya and Israel. Don't miss it.
Michael Appleton - student, Cambridge
In early February, as I frantically prepared for looming exams, I went to a debate at the Cambridge Union with a couple of classmates. We were all taking a Middle Eastern politics course, and so justified our night out on the grounds that it would aid, not hinder, our studying. The debate - on the motion, "This House regards Ariel Sharon as the greatest single obstacle to peace in the Middle East" - was a lively affair, though being filled with student hippies, the majority of the crowd was all in favour of branding Sharon in all kinds of terrible ways.
Sharon had just announced his intention to unilaterally pull out of the Gaza Strip, and speakers on the negative side cited this as evidence that the Israeli Prime Minister is indeed, as George Bush eloquently puts it, "a man of peace". Some two months later, and as things go to shit in Iraq and the US President tries heroically to change the subject, there were those two great peacemakers of our time, Misters Bush and Sharon, on the front of this morning's papers, grinning their heads off.
Yesterday, Bush gave his blessing to Sharon's plan: we'll give up Gaza, reject Palestinian refugees' right of return, and keep our biggest settlements in the West Bank. That sounds fair, right? We give up something (Gaza), the Palestinians give up something (their refugees' right of return), and we keep a major presence in the West Bank. What could be fairer? This is about give and take, rights and obligations, difficult compromises, choosing peace over terrorism, etc. "These are historic and courageous actions," Bush said. "If all parties choose to embrace this moment, they can open the door to progress and put an end to one of the world's longest running conflicts."
Interesting that Bush is talking about opening doors. One of the speakers in the February debate used the analogy of a house to describe the generosity of Sharon's plans. Let me expand on it a bit here. You own and live in a house, which has five rooms. You've been letting some people stay with you for a while, because they've got nowhere else to go, and have been mistreated by all sorts of other people in the neighbourhood. But then your guests, seeing their family members getting murdered in other parts of neighbourhood, get scared that their whole family is going to get wiped out, and decide that they want to take over your house. This causes a lot of friction and they eventually control four of the five rooms in the house: you get to stay in the bedroom, but they'll be there with you the whole time, will go through your things and make sure you only leave the bedroom when they let you. Then, after many years, they say: "Hey, we've decided you can have unfettered use of the toilet. We're going to leave you alone in there, because it's really unhygienic, and we don't want to get ourselves messy. But the bedroom itself, we'll be staying put, because we've grown attached to it. But that sounds like a pretty good deal, eh? You get the ensuite all to yourself!"
It's an inexact analogy, to be sure, but given the dispute is essentially about land, one should always keep maps in the back of one's mind when thinking about Palestine/Israel. The "green line" that often gets spoken of as the natural dividing line between the two parties was set in 1949, as armed hostilities between Arab states and Israel ceased with the signing of an armistice. The green line meant that 78% of what was Palestine was given to Israel with the remaining 22% for the Palestinians: four rooms for the Israelis, one for the Palestinians. The green line was always problematic because the 22% the Palestinians got was divided into two, unconnected parts - the West Bank and the Gaza Strip - making the construction of a state at best very difficult.
Over the past half-century, two streams of thought have flowed through Israeli politics: there are those who argue that Israel should be content with its 78%, and those who think it should try to get an ever larger slice of the pie. The Zionist dream of a "Greater Israel", which would take up 100% of pre-WWII Palestine, has lived on. Some Israeli governments (and certainly Sharon) have officially pursued the let's-get-even-more policy. The government has encouraged and funded the building of Jewish settlements in the Palestinians' 22% of the land, and built roads throughout the West Bank so that Jewish settlers can travel between Israel and the West Bank with ease.
This is called "creating facts on the ground" – if enough Jews live there, then the international community will decide the land belongs to Israel. Bush got very close to using this precise language when he hailed the Gaza pullout yesterday. "In light of the new realities on the ground, including already existing Israeli population centres, it is unrealistic to expect that the outcome of final status negotiations will be a full and complete return to the armistice lines of 1949." This statement overturned decades of US foreign policy, which had always explicitly called Jewish settlements beyond the green line illegal under international law (as they are) and unjustifiable.
So, the Palestinians' 22% will probably drop into the teens if a two-state solution is ever found. But none of this is just about basic fairness. One thing that runs through the Middle East is that the population is expanding and the amount of arable land is contracting. There are not enough jobs and resources (save oil) to go around. And creating a viable Palestinian state means allowing it enough land and natural resources to prosper. Israel's security ultimately relies on Palestinians’ being able to live peaceful, relatively prosperous lives, and squeezing them into a smaller and smaller slice of land just ain't going to cut it.
UPDATE: Richard Adams, an editor of Salient back in the late 80s, has this interesting insider-outsider's account of Brash's speech in this morning's Guardian. Adams now works for the Guardian's comment section, as a leader writer.
Patrick Crewdson - student, Auckland
Wednesday, April 14, 2004
This post is about journalism, not hip hop, but I need to ask you: ever heard of MC Emu?
In September 2002, when I was nearing the end of the first of my two years as editor of Critic, I published an article called 'Straight out of Cumberland' written by our talented features reporter, Rohan Murphy. The piece was about Damian Roberts (aka MC Emu) a German-based rapper who Rohan described as New Zealand's "least-known musician":
It seems that the Germans love his cheeky beats and just can't get enough. His first album, 2000's brash My Style, shook life into a hip-hop tradition that many pundits thought was choked by lack of imagination. Lauded by the critics and embraced by the German hip-hop public, My Style sold nearly 300,000 copies in its first six months of release, buoyed by TV performances described as "electrifying" by Rolling Stone's German branch. More of MC Emu's sweetly simple but cutting rhymes feature on his soon-to-be-released follow-up LP, Expatriot to the Fullest. Between major releases, Roberts has kept busy with a four-track EP, Ruhe, which he co-produced with German sensation Die Beatminister, touring, giving interviews, and MCing with the vibrant Munich underground scene.The article explored Roberts' rise to fame in Europe, briefly touched on his deal with Sony Records and contrasted his blinging Munich lifestyle with the more sedate pace of life at his New Zealand home in Curio Bay, between Dunedin and Invercargill.
Having played a role in bringing the expat rapper to the attention of the Otago student body, I was delighted to hear over the weekend from Fighting Talk contributor (and former Critic designer) Lyndon Hood that MC Emu rated a mention in David Eggleton's recently released history of kiwi rock, Ready to Fly. The relevant line comes in the very last paragraph of the book, in the afterword:
A sizeable contingent of expatriate New Zealand DJs - including Freq Nasty (Darin McFadyen), MC Emu (Damian Roberts) and Zane Lowe - have based themselves in Europe and the UK ...Rohan, who is now a policy analyst for a Government Ministry, wrote some brilliant articles for Critic that year (his interview with the PR spokesman for the Church of Scientology, which we printed as a straight Q&A, was particularly good). The MC Emu article seemed to slip under our readers' radar a little though, so I was pleased to see his work finally getting noticed.
Mostly though, I was delighted because MC Emu is completely fictional.
Rohan's MC Emu article was part of a hoax issue of Critic, and wasn't really (as the tagline on the cover claimed) "investigative journalism @ its finest". It ran alongside features on an Tyler Durden-style fight club based in Mosgiel and a human cloning scandal at a private university in Masterton. A letter writer responded to the fight club article the following week ("I briefly hoped that it was all a piss-take. However, as I read on I became convinced that the item was authentic") but the other pieces went uncommented upon. I just figured our intelligent, educated readers had got the joke.
As a student of Otago Boys High School, Roberts won a reputation as the fastest talker on the 1st XV, on which he was a rangy lock who won selection for national schoolboy tours to Australia. "Looking back, getting smart to front-rowers was probably the first rapping I ever did," he jokes.Guess not.
I called David Eggleton last night to ask him about Emu's inclusion in Ready to Fly and he was very good about it really. I had wondered whether he was just having a laugh too, but no, he admitted to being taken in by the story. Basically he included MC Emu as part of a "scattershot approach" to illustrating the musical success of expatriate New Zealanders. A worthy point, I'm sure, and at any rate, the fact that MC Emu doesn't actually exist is hardly a significant black mark against Eggleton's book.
Funny though.
Matt Nippert - apprentice hack, Auckland
Tuesday, April 13, 2004
After the kerfuffle in parliament last year about a couple of mutts savaging children, it's surprising that another type of dangerous dog that's killed hundreds hasn't inspired a similar degree of moral panic. I'm talking mercenaries, and this weekend it was reported a kiwi company was trying to get New Zealand soldiers and policemen into the act.
The mutilation of the four in Fallujah was initially described as wanton murder of civilians. It's now clear they weren'd aid workers, with later qualifications of them as "private security contractors". This article from Time delves into the history of the four and finds if they weren't fighting for cash, they'd probably still have been fighting in Iraq - for the US military. And the image of "security contractors" as fat, underpaid, overworked, badge-wearing morons like those you see outside the Fats is a little misleading.
You can make good money, fighting for your payroll. Blackwater, their employers, charges between $1500 and $2000 USD per day per soldier. The "contractors" themselves probably only see about half of that - but considering public-service pay-packets on offer at national militaries and police forces, it isn't hard to see why so many would want to make the jump to the private sector.
(And it's also quite clear, according to this report, that the death of the four wasn't wanton bloodthirsty rioting either. A Blackwater executive said "we got led into this ambush. We were set up." Slight, sporadic, uncoordinated "uptick" of violence?)
In the first days of the uprising, the Washington Post reported an attack on the US government headquarters in Najaf was repulsed not by the US military, but instead by private commandos from Blackwater. Forget batons, these guys have their own helicopters, armoured vehicles and automatic grenade launchers.
During the defense of the authority headquarters, thousands of rounds were fired and hundreds of 40mm grenades shot. Sources who asked not to be identified because of the sensitivity of Blackwater's work in Iraq reported an unspecified number of casualties among Iraqis.And with all the madness going on, and unwilling coalition members talking of pulling out, this trend is likely to accelerate. This, from a follow-up story in the Post.
The demand for a private security force in Iraq has increased since the war ended, said officials with the CPA, the U.S.-led authority that is running the occupation of Iraq. There are about 20,000 private security contractors in Iraq now, including Americans, Iraqis and other foreigners. That number is expected to grow to 30,000 in the near future when the U.S. troop presence is drawn down after the June 30 handover to Iraqi authorities.The English have deployed 8,000 troops to Iraq. Private soldiers now easily make the second-biggest contribution to the ongoing war. Questions are raised: who are they accountable to? What are their rules of engagement? If even Saddam can't be tried in Iraq, what hope is there to prosecute foreigners who get too trigger happy? If they aren't covered by the Geneva Convention, what are they covered by? A Pentagon spokesperson says "they are not on the U.S. payroll. And so they are not our responsibility." It's looking like a wild, wild West.
Eminent historian Eric Hobsbawn calls private security contractors "the new camp followers". While the Labour government legalised the oldest profession last year, it's now moving to ban arguably the second oldest. The Mercenaries Bill going through the house might have some interesting consequences for anyone going along for a joyride with Red Key (600 applications and counting). As norightturn astutely notes simple security work for a legitimate government might cut it, but for some reason I don't see pitched battles with military weaponry causing dozens of deaths being given the thumbs up.
And finally, some light(er) entertainment. Following John Tamihere's interesting comments last week on the seabed and foreshore debate: "Underneath them are tens of thousands of little Maori people who want a fair result. They're not chequebook horis; they're not born-again horis." I've now started seeing some posters stuck up around town simply saying: Uncle Tomihere.
I love literary graffiti.
UPDATE: [From Cursor] As the Coalition Provisional Authority announces plans to tighten controls on the estimated 20,000 armed contractors on the ground in Iraq, Intel Dump's Phil Carter writes in Slate that "Short of convening a new Geneva Convention... there is no way to fix the ambiguous status of these hired guns."
AND: The death of mercenaries also doesn't create the same kind of anguished hand-wringing that comes with flag-covered coffins. This, from norightturn and courtesy of Robert Fisk; Deaths of scores of mercenaries not reported.
Michael Appleton - cricket lover, Cambridge
It took 127 years and 27 days, and almost 1700 matches, but test cricket has finally yielded an individual score of four hundred. The funny thing is that the crowd didn't seem all that excited. Really. Having spent the previous few hours waiting nervously for Brian Charles Lara to reach the world record Matthew Hayden took off him half a year ago, the Antiguans had already had their frenzied climactic moment.
There was less cheering for Lara's 400 (off 582 balls, or 4.12 an over) than for the century his partner, Ridley Jacobs, brought up an hour or so earlier. Lara has surely cemented his place as the best batsman of the modern era The crowd was suffering “record fatigue”, the commentator said. Oh well. Lara, now the only player to surpass 350 in tests twice, has surely cemented his place as the best batsman of the modern era: better than Tendulkar (who gets to bat on much more batsmen-friendly pitches at home than does Lara), better than Hayden (whose 380 was against a much weaker attack) or Gilchrist, and better than Jayasuriya.
The philistine of the year award goes to the English cricket supporter, quoted by Sky Sports' commentary team, who decided not to turn up to watch Lara seek the world record because the match was now "boring" and in a "stalemate" position. Indeed, the English section of the crowd were certainly getting restless as Lara took his side into the afternoon session of the third day, something sides batting first very rarely do. But the West Indian innings wasn't as long as the Barmy Army might have felt. It lasted 202 overs. Had it not rained on the first day, Lara would have reached his 400 some eight overs before lunch on the third day, and had a chance to have short burst at the Englishmen before session's end.
In any case, despite the pitch being a featherbed, one shouldn't discount the possibility of Lara's record being crowned by a West Indian victory. 552 to avoid the follow-on is a daunting task on any surface, against any attack.
Meanwhile, The Observer's David Aaronovitch wonders how the folks at Al-Jazeera can live with themselves. The recent kidnapping of three Japanese civilians in Iraq, and the consequent ransom demand, was brought to the world in terrifying detail by Al-Jazeera. Of the group behind the kidnapping, Aaronovitch writes:
[it] probably only came into existence at the moment that it decided to send a video off to Al-Jazeera, demanding the withdrawal of Japanese troops from Iraq. In fact their action told us very little about how most people in Iraq live, but much more about how some media outlets will now prostitute themselves for the sake of the story ... Did they, I wonder, even consider the consequences for others of broadcasting a geopolitical ransom demand in this way? And if the Japanese prisoners are burned alive ... will Al-Jazeera broadcast that as well?I think the answer to his last question is probably "yes". Al-Jazeera has proven itself to be much more willing to show blood and guts than any Western broadcasters. From memory, they showed the clip of Wall Street Journal reporter Daniel Pearl being decapitated.
So, what arguments are there for not showing/printing troubling images? (I start from the basic assumption underpinning any liberal society that anything should be shown unless there are compelling reasons not to.) I can think of three:
1) The images will further the cause of people we don't want to help. By showing the Japanese kidnapped, you are facilitating the actions of insurgents who – if for no other reason than that their methods are suspect – shouldn't be helped. Al-Jazeera is acting as the kidnappers' propagandists, and thus urging on more such abductions.
2) The Geneva Conventions sometimes forbid it. The faces of individuals captured in war should not be shown, because they are protected under international law, which aims to guard the sanctity of individuals in trying situations during war. For the same reason, you shouldn't print pictures of identifiable individuals killed in war.
3) Their families will find it upsetting.
It seems Aaronovitch is drawn towards 1). The problem with this argument – and it is not a new one, Margaret Thatcher was wont to berate the BBC for giving the IRA publicity, "the oxygen of terrorism" – is that it requires a media outlet to decide which causes are worth helping and which are not. Al-Jazeera might disagree with abduction and ransom as a method, but it might feel sympathy for the nationalist, anti-occupation cause for which it is (possibly) being used. Some in the anti-war media might have found some of George Bush's speeches in the run-up to the Iraq war – when he continually, dishonestly, and successfully sowed the Saddam-Osama link in most Americans' minds – distasteful. These speeches were cynical, manipulative propaganda in the service of a cause such media outlets found abhorrent. Should they therefore have refused to cover the speeches, to deny Bush publicity, the "oxygen of warmongering liars"? I suspect a much better rule of thumb is that broadcasters shouldn’t pick between causes. Rather, they should act as both the propagandists (by airing their views) and critics (by questioning those views) of all sides.
2) and 3) are more problematic. I understand why the Geneva protections are in place, though they didn’t stop Aaronovitch’s paper printing illegal pictures of Saddam after the dictator was captured. (How do those folks at The Observer live with themselves?) It must be insufferably upsetting for families to see their loved ones all gored up in the Sunday papers or on television. But there's a more important issue here: that of realism. War sucks. People die in gruesome manners. And if wars are to be waged, then those who wage them (and the people who give the war-wagers democratic mandates) ought to be able to stomach the consequences, including all the unseemly bits.
British broadcasters during Gulf War II avoided using most of the graphic footage their cameramen and photographers sent in. As John Ryley of Sky News put it, "We showed shock and awe, which was a glorified fireworks display, but we didn't show people dying." Academics at Cardiff University did a thorough analysis of British media coverage of the war, and one of their major concerns was that war coverage was being sanitised. "We need to know not only how it looks from underneath the missile launcher, but what happens when the missile lands," they wrote. Failing to show blood and guts had "profound ideological consequences", they concluded.
If Blair and Bush are going to bully their publics into going to war, the latter should at least be able to face up to the fallout.